Today, as Anushka Sharma celebrates her 32nd birthday, wishes from her fans and followers have been pouring in from all sides on social media.
On the special occasion of her birthday today, here is a rundown of some lesser known facts about Anushka Sharma that you simply cannot miss.Versatile Bollywood actor Irrfan Khan passed away at the age of 53 on Wednesday, April 29, 2020 at 11:11 am due to colon infection. The actor was undergoing treatment for Neuroendocrine cancer and was admitted at Mumbai's Kokilaben Dhirubhai Ambani Hospital on Tuesday due to a colon infection. The actor was buried at the Versova kabristan in Mumbai at 3 pm on Wednesday in the presence of his family, close relatives and friends. Irrfan is survived by his wife Sutapa and sons – Babil and Ayan.
Soon after news of Irrfan's death broke on the internet, social media was flooded with messages from fans and celebrities expressing their grief. Son Babil Khan also mourned the loss of his father by sharing a hearfelt note on his Instagram handle.
In the note, Babil thanked all for their support and condolence messages as his family is faced with the most difficult challenge. He wrote: "I’m deeply grateful for all the condolences you beautiful friends are pouring in for me. Although I hope you understand that right now I’m not being able to reply because my vocabolary is dizzy. I will get back to each one of you but just not right now. Thank you so much. I love you (sic)."
Take a look at Babil's hearfelt note:
On Tuesday, the Piku actor had been admitted to Mumbai's Kokilaben Dhirubhai Ambani hospital with a colon infection and was in the Intensive Care Unit. In 2018, Irrfan was diagnosed with neuroendocrine tumour and was undergoing treatment for the same.
An official statement regarding Irrfan's demise read, "'I trust, I have surrendered', these were the words that Irrfan expressed in a heartfelt note he wrote in 2018 opening up about his fight with cancer. And a man of few words and an actor of silent expressions with his deep eyes and his memorable actions on screen. It's saddening that this day, we have to bring forward the news of him passing away..."
The statement further read, "Irrfan was a strong soul, someone who fought till the very end and always inspired everyone who came close to him. After having been struck by lightning in 2018 with the news of a rare cancer, he took life soon after as it came and he fought the many battles that came with it. Surrounded by his love, his family for whom he most cared about, he left for heavenly abode, leaving behind truly a legacy of his own. We all pray and hope that he is at peace. And to resonate and part with his words he had said, 'As if I was tasting life for the first time, the magical side of it (sic).'"
Irrfan Khan, who made his debut with a small role in Mira Nair's Salaam Bombay in 1988 was known for his performances in Maqbool, The Namesake, A Mighty Heart, Paan Singh Tomar, Life of Pi, The Lunchbox, Haider, Gunday, Piku, Talvar, and Hindi Medium, amongst others. His last film Angrezi Medium released in March this year.
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Rishi Kapoor wasn't just a phenomenal actor but also a very lively and lovable human. As exhilarating as his on-screen persona, his real-life demeanour was just as entertaining. In a devastating piece of news, he left us for heavenly adobe on Thursday, 30 April at 8:45 am after a two-year battle with leukaemia. His last rites were performed at the Chandanwadi Crematorium in Kalbadevi, Mumbai, near the H.N Reliance hospital where he was admitted.
Apart from son Ranbir Kapoor, wife Neetu Kapoor, Rishi's death left his daughter Riddhima Kapoor Sahni bereaved. Riddhima, who lives in Delhi, could not make it to the funeral in Mumbai. Riddhima took to her Instagram and poured her heart out through multiple Instagram stories.
Riddhima shared a couple of photos on her Instagram story, which will bring tears to your eyes. In the pictures, we can see Rishi, Neetu and Riddhima in their happier times. "I miss you already. Come back na papa". "Wish I could be there to say goodbye to you papa," she wrote.
The ace jewellery designer also shared a throwback picture with her brother Ranbir Kapoor. The kids can be seen enjoying with late Rishi Kapoor.
Before this, Riddhima had posted a picture with her dad along with an emotional Instagram post. “Papa I love you I will always love you - RIP my strongest warrior I will miss you everyday I will miss your FaceTime calls everyday! I wish I could be there to say goodbye to you ! Until we meet again papa I love you - your Mushk forever (sic)", she wrote.
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Rishi Kapoor had been battling cancer since 2018 and had spent a year in New York seeking treatment for the same. He breathed his last at age 67.
His mortal remains were taken directly to a crematorium near the hospital. The funeral was attended by Saif Ali Khan, Alia Bhatt, Kareena Kapoor Khan, Rajiv Kapoor, and other members of the Kapoor family.
Rishi Kapoor has left behind millions of memories for all his fans and Cinema lovers that can never be forgotten. With a career of over five decades and tons of blockbusters and classics, we shall make sure he's always alive and among us!
You will be missed Chintuji!!
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Rishi Kapoor has gone too soon! For many of his fans and cinema lovers, this was the most exciting phase of his career and the man was making some fascinating choices as an actor. On one hand, he gave us Agneepath and Aurangzeb, and on the other hand were titles like Luck By Chance, Kapoor & Sons, and Do Dooni Chaar. How could he go without giving some more of such great works? But destiny had other plans, it seems.
He passed away on April 30 at 8:45 am IST after battling leukaemia for over two years. His last rites were performed at the Chandanwadi Crematorium in Kalbadevi, Mumbai, near the H.N Reliance hospital where he was admitted. Family members and close friends were at the rites throughout.
Almost everyone from the Bollywood industry took to their social media accounts to pay homage and tribute to the actor and his legend and legacy. Shah Rukh Khan, who began his career in films with him in 1992's Deewana, directed by Raj Kanwar, had something more to say than just paying condolences. His had to be a memorable read, something that intrigued and hooked the readers.
It was pure nostalgic bliss when he recollected those good old days when he was a new kid on the block trying to learn the ropes of acting and wanting to rule the marquee. Here are some bits of what he wrote- "As a young man entering the daunting world of films, I was insecure about the way I looked and afraid I was not talented enough. The thought of falling meant nothing though, because even if I failed, I would have worked with the greatest actor I knew of- Rishi Sahib." (sic)
He continued, "On the first day of the shoot, he sat for my scene to finish after pack-up, then with that famously radiant smile on his face he said "yaar tujhme energy bahut hai". That day in my head I became an actor!" (sic) Have a look right here:
Heartfelt condolences to the Kapoor khandaan. May Allah give you all the strength to deal with your loss. pic.twitter.com/GAZXPq3uRp
— Shah Rukh Khan (@iamsrk) April 30, 2020
He also shared a picture of himself and the actor from this film and everything about Khan's debut and Kapoor's legacy could come before you like a flash. These are the moments Cinema is made for, pure cathartic but also equally chocking. The note also says how he met him again to inquire about his health and Neetu Kapoor even posted that picture on her Instagram account last year in May, have a look right here:
Rishi Kapoor will continue to live on with his films, music, performances, and of course, that radiant smile that also charmed Shah Rukh Khan!
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A bored Sonakshi Sinha asked netizens to throw her some awkward questions. A fan asked her if she was single? The actor replied, "Double. Hehe (sic)!" The actor then shared a mirror selfie to make the puzzled fan understand her reply. The interactive session brightened up her day as well as that of the fans. Like father Shatrughan Sinha, Sona, too, knows how to entertain with witty one-liners. Have a question, will answer, she says.
On the professional front, Sonakshi Sinha was last seen in Dabangg 3, opposite Salman Khan. Saiee Manjrekar was also a part of this comedy film. Now, the actress will be next seen in Bhuj: The Pride of India.
Bhuj: The Pride of India stars Ajay Devgn, Sanjay Dutt, Sonakshi Sinha, Sharad Kelkar, Ammy Virk and Pranitha Subhash. The film is directed by Abhishek Dudhaiya. In the film, Ajay will be seen playing Indian Air Force pilot Vijay Karnik, while Sonakshi will essay the character of Sunderben Jetha Madharparya, who is a social worker and a farmer women, who convinced 299 other women from Madhapur to help build a runway during the India-Pakistan war of 1971.
Speaking about her personal life, Sonakshi recently made headlines for dating Notebook actor Zaheer Iqbal. In a candid chat, Zaheer said, "Sonakshi and I laughed after reading the dating rumours. It was my first rumour so I didn't know how to react to it. People have seen all of us. Sonakshi and I chill together and someone must have seen that and might have started the rumour. Well, I'm sure that's how it started."
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Learning piano continues to be a favourite lockdown activity of stars. Now, Priyanka Chopra Jonas is learning it. Musician husband Nick Jonas is her tutor. PeeCee is said to have always harboured a desire to learn a music instrument and the piano was the best bet. Hrithik Roshan, Ayushmann Khurrana, Geeta Basra, Kriti Kharbanda are also learning piano online during the lockdown. Piano and celebrities seem to have a connect.
For the unversed, the actress has been making a lot of contribution for coronavirus struck countries. Priyanka Chopra Jonas shared that she is helping to students in Los Angeles in adapting to virtual classrooms amid lockdown due to coronavirus pandemic. Apart from this, she was also a part of fundraiser concert.
One World: Together At Home was a mega live-streamed and televised benefit concert in support of the World Health Organization's (WHO) Covid-19 solidarity response fund and in celebration of health workers around the world.
The 37-year-old actor is currently staying with her singer husband Nick Jonas in California, United States. PeeCee's contribution did not just stay in the US. Priyanka, along with her singer husband Nick Jonas donated to several organisations including PM CARES Fund, Goonj, Feeding America and others to combat COVID-19 which has affected over 10 lakh people globally.
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Riteish Deshmukh and Karan Johar have no inhibitions showing off their grey hair. KJo is unable to get his tresses coloured at a salon due to the lockdown. His kids, Roohi and Yash, call him 'buddha'. Deshmukh, too, sported his salt and pepper look on Insta and quipped, "Main celebrity hoon (sic)." Will the B-Town female brigade flaunt their grey locks?
On the professional front, Karan Johar will be next seen as a producer in Sooryavanshi and Brahmastra. Speaking of Riteish Deshmukh, the actor was last seen in Baaghi 3, along starring Tiger Shroff, Shraddha Kapoor and Ankita Lokhande.
Amidst the global outbreak of the Coronavirus, the entertainment industry has taken a hit. Several movies including the upcoming James Bond movie are being pushed back from their intended release dates and movies like Baaghi 3 saw a huge impact on their box office collections.
All the projects are currently on halt after the outbreak. People are waiting with bated breath for this lockdown to end and get back to business.
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Late actor Irrfan Khan's wife Sutapa Sikdar took to social media to pen a healtfelt message for the actor, who passed away on Wednesday. She updated her Facebook display picture with an adorable picture of herself hugging Irrfan and captioned: "I have not lost I have gained in every which way...."
Reacting to the post, several users paid condolences to her and her sons, Babil and Ayan. "You are strong. Love," a user commented. Another user wrote: "Super salute to you."
Sutapa and Irrfan met each other during their college days at National School of Drama, Delhi where they fell in love with each other and later tied the knot in 1995.
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My Chintu baba! He was a nice and jovial person. He was good to each and every person. He came from a rich family -- the Kapoor family. Everyone knows who they are. He was so good and a comfortable artiste to work with. We used to call him Chintu baba.
"Bobby" was his first film. His father (Raj Kapoor) used to scold him, still he used to not feel bad. In such cases, kids get conscious but he never felt conscious. If his father would say something to him, he would say it's for his best. As an actor, of course, he was very good but he was also a very good human being. He used to never eat lunch on his own. He would sit down with everybody and eat. The dostana (friendship), yaarana... Where will you find it?
I have done many films with him. There's one incident. We had gone to some remote place for a film's shooting. There were so many mosquitoes that used to bite us. It was difficult to sleep because of that. Back then there were no good hotels also. We told Chintu baba that we will die. Even he said 'Aruna ji mai b mar gaya mujhe neend nai arahi hai (Even I am dead, I am unable to sleep). What should I do?' I said 'We can't say anything but you are the hero, so you only say something'. Then he told the film's producer. I don't remember the film's name. He said it was not possible to work in the morning like this, so shift the location. Then the location got shifted.
It's been many years since we worked together but he used to be so nice. We used to be in touch on WhatsApp. We spoke about his health. I was happy to see him return after his treatment. Then a few days later he said he was going to work. I was so happy then I stopped asking him because I thought he was out of this trap. He had started working, so I thought he had improved but he ditched us.
I still love him. May his soul rest in peace. He was a fabulous person.
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Industry veterans such as Farida Jalal and Satish Kaushik, who not only worked with Rishi Kapoor but also knew him well, cannot get over the news of his demise. Filmmaker-actor Kaushik, who has worked with Kapoor in films like "Tehzeeb", "Saagar", "Aa Ab Laut Chalen" and "Wedding Pullav", says the late star made acting look like the easiest profession and that he ruled Bollywood with his charm and king size personality.
"Chintuji was a much-loved young icon of romance for me when I saw 'Bobby' in my college days in Delhi. After coming to Mumbai I kept on seeing him in various films as a huge star, and then got to work with him as a co-actor, and then he directed me in 'Aa Ab Laut Chalen'," Satish told IANS.
"He was a great friend, great company, always very jovial and very loving. A great person and actor, who ruled the film industry with his charm and king size persona," said Satish, who was recently shooting with Rishi for a film called "Sharmajee Namkeen".
An emotional Satish says that with Rishi the era of Romance has gone. "Yes, (the) era of romance is gone with him but his footprints will always take us to happiness and joy. Chintuji we will miss you and you will always remain the charming boy of Indian cinema. Rest in peace," he wrote.
While Kaushik was working with Rishi Kapoor in the film he would never complete, Farida Jalal recalled working with the late actor in his debut movie, "Bobby". She broke down over phone, while talking about Rishi Kapoor.
"Oh my god, what is happening? Yesterday Irrfan Khan passed away and today it is Chintu (Rishi Kapoor) I am really shocked. I was very close to Chintu. I worked with him in his first film, ‘Bobby'. I don't know what to say, I need to process this," she said.
In 2018, Rishi Kapoor was diagnosed with cancer for the first time, following which the actor was in New York for nearly a year to undergo treatment. He returned to India in September 2019 after recovering.
Post return to India, his health has frequently been in focus. The actor was admitted to hospital in quick succession in February.
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After singing an African lullaby, O lele, Kalki Koechlin is now singing a Portuguese lullaby, Nessa rua, to baby daughter Sappho. Taking to Instagram, the actor posted a video in which she is seen strumming the ukulele and singing to the two-month-oldKoechlin informed that she learnt it while playing the Portuguese character Tara in the web series, Smoke. It seems the baby does not sleep till mommy sings.
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Kalki Koechlin is known to be an eco-warrior and the actress has many a time appealed to her fans to take care of the environment more. Looks like the actress believes in doing what she preaches!
Baby Sappho was both on February 7. Kalki, who turned mother, even shared a long post thanking everyone for her wishes and positive energy. She also gave all the respect to all the women who go through the intense and gruesome experience of birth.
On the professional front, Kalki Koechlin was last seen in Zee5's Bhram and Netflix' Sacred Games.
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For me, Rishi is more than a colleague. He has been a friend, for many years. His loss is a blow to all of us on both personal and professional levels. Rishi was a pure soul who was known not to mince his words. I am going to deeply miss him.
We have done five films together and I have some wonderful memories of us working. Bol Radha Bol was an experience I will always remember. The last few years was hard on Rishi but he never let people know what he was going through. It's hard to believe he isn't amongst us any more and it's a loss that I don't know how we'll recover from.
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I worked with Chintuji in films like Ghar Ghar Ki Kahani, and Ghar Ki Izzat. As a newcomer, I would be in awe [of him]. An effortless actor, he would barely rehearse, but the director would always be happy with his first take.
Though a little detached, he was always friendly. Chintuji [would arrive on set] at 10 am. He would often sit outdoors under a tree to have his make-up done. His make-up artiste, Shashi dada, would set out a neat table with the [products]. A tiny transistor radio would be turned on while the make-up was done. When done, Chintuji would impatiently pick up the sponge, rub it all over his face, and undo dada's effort, and then announce that he was ready.
As time went by, and we worked on more films together, including Bol Radha Bol and Saajan Ka Ghar, Chintuji [and I] would play Scrabble on set. I played well, but he was too good, and would often beat me. Nonetheless, I kept trying to win!
In September 2017, a charming script [of the upcoming film, Sharmaji Namkeen] was narrated to me. It was about a middle-aged gentleman called Sharmaji. I liked it immensely and found it amusing and heart-warming. It was tailor-made for Chintuji. Producer Honey Trehan wanted to hold a joint narration with the entire cast and crew. It seemed like a good ice-breaker.
Chintuji was reluctant, but agreed, because he said Amitabh Bachchan would do such sessions often. He said [he'd leave early] too, however, when the reading began, it was so joyful that he stayed till the end, and was the last to leave.
I last met Chintuji at HK hospital, where he had gone for a routine treatment, in early March.
A few days ago, I thought I should check on him. I heard the news [of his passing] this morning, and was devastated. I have many happy memories of him, and have laughed so much on the sets with him. I am going to miss him very much.
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I have lost count of the number of films I did with Rishi Kapoor, especially in the early '80s. There were movies like Biwi-O-Biwi (1981), Tawaif (1985), Sitamgar (1985), Zamana (1985), Ek Chadar Maili Si (1986), Dosti Dushmani (1986) and many more.
I was a newbie then, but he was willing to work with fresh faces. At that time, he was the only star who had no qualms about teaming up with novices. I would tell him that he deserved to be in the Guinness Book of World Records for collaborating with the maximum number of new heroines. He could rattle off names [of all those he worked with], and would often wonder where some of them disappeared.
He was a natural and spontaneous actor, one who would laugh and fool around with the unit off camera, but instantly [transform] into the character when [we] rolled.
You could see the passion in his eyes as he enacted scenes.
Like all Kapoors, he too loved his food. The most distinct memory I have is going to RK Studios and [enjoying] the lavish spread and hospitality of the Kapoors.
I was in touch with him even when he was in the US for treatment. If I messaged him late at night, he would wonder why I was awake at that unearthly hour. Former minister Arun Jaitley, who passed away last year, was also seeking the same treatment at the same hospital in New York. As I also knew him, Rishi would often tell me that he would invite Jaitley to his home for a meal.
When he came back, we caught up with each other. He was not pretentious. He would not hide that he loved his drink. His wife Neetu would ensure that he had healthy meals, but, as soon as she would leave the room, he would quickly take a bite of [the food he was forbidden from eating]. He was childlike.
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My first directorial venture Andaz [1971] was with Shammi Kapoor. A decade later, I made Shaan [1981] with Shashi Kapoor. Babita was introduced by my father [GP Sippy] opposite Rajesh Khanna in Raaz [1967]. I made Saagar [1985] with Rishi Kapoor, so my association with the Kapoors goes back a long way.
My daughter, Sheena, was married to Shashi Kapoor's son, Kunal. We are related as well. How much closer can we get?
I was in touch with Rishi but not as much as I should have been. I remember catching a play at the Royal Opera House with his brother Randhir Kapoor. After the show, we sat down to chat and Randhir called Rishi who was at that time seeking treatment in the US. Rishi was sounding fine and kept a positive front. We were happy to know that all was going well until this sudden turn of events. I was shocked to hear of his demise. We had heard that he had been hospitalised. The awful part is that because of COVID-19 and social distancing, we could not go to pay our last respects. I feel miserable about it.
Ramesh Sippy
I thought of making Saagar after Dimple Kapadia expressed her desire to make a comeback after marriage and motherhood. I sat with Javed Akhtar saab and discussed the script and spoke to Rishi.
We decided to make it a love triangle and got Kamal Haasan on board. It was a lovely experience working with the three talented actors. Unfortunately, it wasn't a success when it released, but over time it lingered on and developed a cult following. Its songs are still a big draw.
One didn't need to direct Rishi. He was such a consummate actor. Once the scenes were narrated to him, he understood it perfectly. He just needed to be ready and come on the set and perform the scene. I didn't have to say much to him about what to do and what not to do. We will miss presence but he will always be with us through his movies.
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Our friendship lasted 45 years because we were similar in nature — we loved food and drinks, and were brimming with optimism. We grew close during the making of Khel Khel Mein (1975).
Eventually, Jeetendra joined us, and we three became inseparable. We would meet every day after our respective shoots.
Chintu and I did several movies together — Jhoota Kahin Ka (1979), Khel Khel Mein and Aap Ke Deewane (1980), among others. He would never prepare for his shots, and yet, when the camera rolled, he came alive! He was so spontaneous and natural. When we were shooting for Aap Ke Deewane, I asked him how he shone in each take without having prepped for it. With a smile, he said, 'Aise hi yaar, main camera ke saamne bas masti karta hoon…' He was such an integral part of my life that I couldn't imagine my first directorial venture without him. So, I requested Chintu to do a cameo in Khudgarz (1987).
[In 2018], our cancer diagnosis came months apart — his in August, and mine in December. But we both fought with a smile on our face. He was always brave and full of life. When I met him in March before the lockdown, Chintu, Neetu and I reminisced about our good old days.
I spoke to Neetu earlier this week when I learnt he was hospitalised and prayed for his speedy recovery. I woke up this morning to a message from a friend, asking if Rishi Kapoor was all right. When I called Dabboo [Randhir Kapoor], his number was busy. That's when my heart sank and I instinctively knew something was wrong. Then I rang up Ranbir who shared the news. It was so shocking that I started crying on the phone. Instead of me consoling him, Ranbir comforted me. He has been a pillar of strength to his father.
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It is hard to believe that I will not see him again, in person. The worst part is that I couldn't be there with him and his family for the final rites. I met him in the latter part of 2019. He was jovial. I remember looking at him and thinking that the worst phase of his life is behind him. There wasn't an iota of [weakness] in his eyes. One couldn't, from his body language, gauge that he was enduring any pain or difficulty. The unfortunate turn of events was unexpected.
More than being his co-star, I was a fan. I loved Rishi and Neetu, as a couple, and wouldn't miss a single film of the duo. For me, the turning point [in my career] came when I signed a movie with him. Rishi was the one who recommended my name to Nasir Hussain, and that's how I landed up in Zamane Ko Dikhana Hai.
The first shot that we did together was for the song Poocho na yaar kya hua. I remember it vividly. I had to do a dance sequence and then hug him. I was shivering because I was a fan.
We shot [Hoga tumse pyara kaun] on a train, and it was a surreal experience. It was hot, and we were trying to look our best, and do the best that we could. Unfortunately, my scarf caught fire, and, like a true hero, Rishi ran towards me and rescued me.
He was a foodie. I'd get prawns and fish curry to the sets and we would eat together. More than him, we loved his Punjabi lunch that Neetu would send. Neetu would send healthy food, but she never knew that he'd, in fact, be eating his co-stars' meals.
He is going to be missed. My heart goes out to Ranbir and Ridhima.
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I, for one, am hungry for some answers
It's been nearly 40 years
Rishi Kapoor who had been admitted to Sir H. N. Reliance Foundation Hospital in Mumbai passed away on Thursday after a long battle with cancer. The veteran actor was rushed to the hospital on Wednesday morning. Celebrities from all the industries took to their respective handles to mourn the loss of the veteran actor.
Rishi Kapoor passed away on Thursday in Mumbai after fighting a prolonged battle with cancer. The news came as a shock as the entire fraternity was already mourning the loss of Irrfan Khan, who passed away a day before.
Irrfan Khan passed away at the age of 53 in Mumbai on Wednesday. Bollywood, as well as Hollywood celebs, took to their respective social media handles to mourn the demise of the actor.Former Miss World and actor Aishwarya Rai Bachchan on Wednesday expressed grief over the demise of her co-star Irrfan Khan. Bachchan had shared the screen space with the late Padma Shri award winner in the action thriller 'Jazbaa.'
The 46-year-old actor took to Instagram and condoled Irrfan's demise through Instagram story.
"Heartbreaking news...so saddened to hear about the demise of my dear friend Irrfan...the brightest, most genuine, humble,kind, and eventually bravest soul.. May he Rest in Peace," she wrote in the story.
She also expressed solidarity with Irrfan's wife Sutapa and his sons Babil and Ayan.
"God Bless Much love and strength to Sutapa, Babil, Ayan and his loved ones at this very difficult time," she further wrote.
Aishwarya and Irrfan's chemistry in 'Jazbaa' was appreciated by audiences as well as critics at the time of the release of the film.
Irrfan Khan's last rites were performed at the Versova cemetery. The internationally renowned actor passed away at Mumbai's Kokilaben Hospital on Wednesday while battling rare cancer. He was 53. Irrfan was last seen on screen in 'Angrezi Medium'. He was not a part of the film's promotions owing to his ill health.
With critically acclaimed films like 'The Lunchbox' and 'Paan Singh Tomar' to his credit, Irrfan was regarded as one of the finest actors in Hindi cinema.
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Actor Manoj Bajpayee struggles to put his thoughts into words, and says everything has just gone "haywire" ever since he heard the news of Irrfan Khan's demise. The actor says though Irrfan wasn't his "best friend", they were connected with a very unique thread of rejection and acceptance in showbiz.
"For me to put my feelings in words and really frame it in a way that it all looks organised is tough. After hearing the news of his demise, everything went haywire mentally," Manoj told IANS. "I don't know how to react to it. The only emotion which is happening inside of me is extreme sadness. I am so sad that it is difficult for me to even think of anything. And I feel exhausted with the heaviness that I am feeling," he added.
Manoj has immense respect for Irrfan as "a contemporary, a colleague, co-actor and as somebody who started at the same time". "We faced similar kinds of rejections, struggles and acceptance. I feel that I lost a co-traveler. Though he was not my best friend, somewhere I felt that he was somebody whose journey was known to me and who knew my journey," said the actor, who will soon be seen in Netflix's "Mrs. Serial Killer".
Manoj continued: "It is like we were traveling in the same compartment, looking at each other from a distance but not fully knowing personally. It was enough to look at each other from a distance and admire each other. His contribution to cinema and the world of acting is going to be lauded and appreciated for very long."
Irrfan breathed his last early on Wednesday at the age of 54. Irrfan was admitted to Mumbai's Kokilaben Dhirubhai Ambani hospital with a colon infection earlier this week. However, unfortunately he succumbed to his ailment. The actor is survived by his wife Sutapa Sikdar and two sons Babil and Ayan.
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As Bollywood's trailblazer Irrfan Khan breathed his last on Wednesday, actor Nawazuddin Siddiqui remembered the times he worked in a film directed by the late actor.
The 'Sacred Games' actor took to Twitter to condole the demise of the departed actor who once mentored him in the film 'Alvida.'
"In d year 2000 a film directed by #IrrfanKhan named ALVIDA starred me & I ws lucky 2 hv my mentor as my co-star in many films," tweeted Siddiqui.
In d year 2000 a film directed by #IrrfanKhan named ALVIDA starred me & I ws lucky 2 hv my mentor as my co-star in many films.
— Nawazuddin Siddiqui (@Nawazuddin_S) April 29, 2020
No 1 wil evr b able 2 fill his space in d entire world of cinema.
Never thot in d worst of my dreams, dat wil hv 2 say “ALVIDA” so soon RIP #IrrfanKhan
The 'Gangs of Wasseypur' actor further indicated towards the void that Irrfan Khan left behind in the Bollywood industry.
"No 1 wil evr b able 2 fill his space in d entire world of cinema. Never thot in d worst of my dreams, dat wil hv 2 say "ALVIDA" so soon RIP #IrrfanKhan," his tweet further read.
Siddiqui and Khan worked in several Bollywood films together including 'The Lunchbox' which is one of the most critically acclaimed films of Irrfan's career.
The last rites of the Padma Shri award winner were performed at the Versova cemetery earlier today.
The internationally renowned actor passed away at Mumbai's Kokilaben Hospital on Wednesday while battling rare cancer. He was 53. Irrfan was last seen on screen in 'Angrezi Medium'. He was not a part of the film's promotions owing to his ill health.
With critically acclaimed films like 'Life of Pi,' 'Hindi Medium,' 'Maqbool' and 'Paan Singh Tomar' to his credit, Irrfan was regarded as one of the finest actors in Hindi cinema.
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Actress Nimrat Kaur worked with Irrfan Khan in the much-feted film "The Lunchbox" that went on winning several award and accolades internationally. The news of his sudden demise came as shock to her.
"It is a personal loss for everyone at this point in time. For everyone who watched his movies or worked with him and met him personally, this is absolutely shocking. I think the face of Indian cinema will not be the same without Irrfan Khan. He was a one-man army. Every film and film stars are on one side and his films are on the other. My heart goes out to his family at this point in time, when we all are suffering under a specific situation. Losing a loved one is always painful but I think this (the COVID-19 lockdown) is worse. I cannot imagine I am talking about Irrfan in the past tense," Nimrat told IANS.
Nimrat worked with Irrfan in "The Lunchbox", the directorial debut of Ritesh Batra, which released in 2013. The film screened in several prestigious international festivals, and notably won the Critics Week Viewers Choice Award at the 66th Cannes Film Festival.
Sharing her memory of working with Irrfan in the film Nimrat said: "We did not have many scenes together but we got a chance to converse extensively during the premiere of the film at the Cannes Film Festival. I was quite overwhelmed by the response to the film, the way it was celebrated and what it became overnight! I remember I asked him, ‘how do you handle so much appreciation, adulation when a film meets a great success like this?' he smiled and told me, ‘sock up to good times and don't be shy of celebration. This is the gift that God has given us. The bad time is around the corner.'
"This moment does not come very often in life. So take it as a gift after all the struggle we have gone through.' He always said to embrace the good time because that's when we celebrate life," recalled Nimrat.
Irrfan had been admitted in Mumbai's Kokilaben Dhirubhai Ambani hospital with a colon infection on Tuesday and passed away on Wednesday. The actor has been ailing ever since he was diagnosed with a neuroendocrine tumour a while back and has been under medical attention for the same. He even went abroad for treatment.
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Actor Deepak Dobriyal, who worked with Irrfan Khan in "Angrezi Medium" earlier this year, recalls the late actor was like an elder brother. "From making me understand the craft of acting to teaching me how to give genuine expressions on screen, he taught me and helped me a lot, like a big brother. His death is a personal loss," Deepak told IANS.
Irrfan died on Wednesday at Mumbai's Kokilaben Dhirubhai Ambani hospital where he was admitted the day before with colon infection. He even had battled neuroendocrine tumour for several months. Remembering his late co-star, Deepak recalled how Irrfan happily continued shooting "Angrezi Medium" while undergoing treatment for cancer.
"Despite being in pain, he duly fulfilled his professional commitments. He was not in pink of his health, so I always tried my best to make him smile during our shooting. I used to joke with him and he never felt bad. He always treated me like his chhota bhai. It's hard to digest the news of his demise. We had even planned to work on 'Urdu Medium' or 'Chinese Medium'. Now it's dream which will never become true," Deepak grieved
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Though Irrfan and I did not share screen space, we featured together in two films, Akash Deep's Ghaath (2000), and Suparn Verma's Acid Factory (2009).
In the second, we were together in only one fleeting scene. We knew each other because our roots [lay in] theatre. I knew him from the time we began our careers, and we followed each other's journey in films. I looked at him with tremendous regard. We went through the same [experiences] at the same time: We struggled together, and as outsiders, fought for the same thing: to earn our place in different types of films.
We faced both rejection and acceptance from the audience, and the industry.
It is difficult to come to terms with the fact that Irrfan is no more. His contribution to the industry and the world of acting will live on. He still had a lot more [to offer], so his passing away is difficult for a colleague and contemporary [to come to terms with].
As told to Shaheen Parkar
Irrfan was a dear friend. We worked together in Billoo, and often spent the evenings together. He would talk about his struggles and [being apprehensive about] carving his place as an actor, in movies, because of his looks. He'd say he was advised to stick to theatre because he didn't have the qualities of a hero, but [would remind himself] that 'somebody needs [to see] somebody like me [as a hero]'.
He had told people that if he came back [following his treatment in London], they should keep scripts [ready] for him. But when he returned, he told me he [was easily] tired, and couldn't work for more than five hours. I spoke to him four months ago, and he said that though the treatment had made him weak, he [had been] cured. He wanted to do a comedy and told me to call him with a script.
As told to Upala KBR
My fondest memory of Irrfan sir was him referring to me as Binaca Geetmala, because I'd always sing on the sets of Karwaan. If he liked something that I was humming, he would request [me to sing] it.
I haven't been to acting school. But merely [being in his] presence was like attending one. My lesson from observing him was to focus on the small details in a scene, and understanding nuances. We lost a gem and I don't think this void can be filled.
As told to Sonia Lulla
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Veteran actor Rishi Kapoor is not keeping well and has been admitted to a city hospital here, his elder brother Randhir Kapoor said. The 67-year-old actor was taken to H N Reliance hospital by his family on Wednesday morning.
"He is in the hospital. He is suffering from cancer and he has some breathing problem, so he has been admitted to the hospital. He is stable now," Randhir told PTI. The actor returned to India last September after undergoing treatment for cancer in the US for almost a year. In February, Kapoor was hospitalised twice due to his health issues. He was first admitted to a hospital in Delhi where he was attending a family function.
At the time, Kapoor had said that he was suffering from an "infection". After his return to Mumbai, he was again admitted to a hospital with viral fever. He was discharged soon after. Kapoor, who has been quite active on social media, hasn't posted anything on his Twitter account since April 2. The actor recently announced his next project, a remake of Hollywood film "The Intern", also featuring Deepika Padukone.
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Irrfan's passing is a huge loss for the entire film fraternity, but I have lost a dear friend today. We were destined to be friends. I was 19 when I first met him at the National School of Drama, where I was a few years junior to him. Since then, Irrfan has played different roles in my life — sometimes he was a pal, other times, an elder brother. There were times when he would push me to work harder, like a mentor.
Not many know that he was a part of my first directorial venture in Mumbai — a show called Hum Bambai Nahin Jayenge for Business India TV (BITV). Shekhar Kapur was the creative head of the channel, and asked me to direct the show. I reached out to Irrfan, who had come to Mumbai four years before me, and that was the beginning [of our professional collaboration]. We worked on several serials for Star Bestsellers, and finally collaborated on Haasil (2003).
Tigmanshu Dhulia
He was a gentle human being who was so evolved in his ideas. He was an outdoor guy who expressed concern for the environment. In fact, he used to love flying kites. Whenever we needed time to prepare for a shot, we used to hand him a kite. He would happily indulge in it till we were ready. He was a charming, happy-go-lucky guy.
Over the last few months, we could not speak regularly because he had stopped using his cell phone. So, I would keep in touch with his wife Sutapa. I visited him at the hospital on Tuesday. He was unconscious but breathing; it was heart-wrenching to see him like that. Right now, I am numb; it will take time to process his loss. I will miss a friend with whom I could have any discussion without the fear of being judged. I will miss hearing his insightful views and taking his advice on matters.
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Ritesh Batra's luminous film had Irrfan playing Saajan Fernandez, a man who falls in love in the autumn of his life over handwritten letters. The unusual love story won worldwide acclaim and was India's entry to the Oscar that year.
Irrfan played the titular role in the feature directed by Asif Kapadia, whose samurai-esque film was shot in Rajasthan and the Himalayas. The 2001 drama was selected for the San Sebastián Film Festival and won the BAFTA Award for Best British film.
Irrfan's search for a film that could do justice to his talent ended with Vishal Bhardwaj's Maqbool. As Bhardwaj began his adaptation of William Shakespeare's works, he could imagine no one except Irrfan as the desi Macbeth. He tackled complex emotions of guilt, and loyalty effortlessly.
If Bollywood woke up to his talent with Maqbool, the international audience sat up and took notice of Irrfan in Mira Nair's adaptation of Jhumpa Lahiri's novel of the same name. He reunited with Nair after two decades since Salaam Bombay .
Tigmanshu Dhulia's dacoit drama was the start of Irrfan's golden run. He depicted the true-life story of an athlete turned criminal, which earned him a National Award.
Irrfan played a cop in the Danny Boyle drama that won eight Academy Awards. It cemented his place in Hollywood as a crossover artiste. The fact that Wes Anderson wrote a part in The Darjeeling Limited to work with him was a validation of his talent.
The prequel to Irrfan's swansong, Angrezi Medium, won critical acclaim for discussing the flaws of the Indian education system with a touch of humour.
It was a proud moment for India when the actor was chosen to share screen space with Tom Hanks in the 2016 screen adaptation of Dan Brown's novel.
In a casting master stroke, Shoojit Sircar brought together Hindi cinema's finest — Deepika Padukone, Amitabh Bachchan and Irrfan — for a heartwarming tale. His character Rana's banter with Big B's character Bhashkor was the highlight of the comedy.
He played the chief of police in A Mighty Heart, alongside Angelina Jolie. Based on Daniel Pearl's wife Marianne Pearl's book by the same name, the film retraces the wife's search for Daniel, the journalist killed in Pakistan.
Meghana Gulzar's retelling of the Arushi Talvar murder case had Irrfan play a cop who points out the discrepancies of the investigation. It was one of his best works, and premiered at the Toronto Film Festival.
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The filmmaker already has two other films mapped out.
While Mira Nair's The Namesake (2006) introduced Irrfan to the art-house West, there was a 2012 profile of his in The New York Times (by Kathryn Shattuck) that, he reckoned, alerted many in the Hollywood establishment to the person behind the roles he'd done thus far.
This is a couple of years after the last season of HBO series In Treatment that I recall Irrfan calling up from the US to say he was particularly proud of. And a few months before the release of Andrew Webb's franchise reboot, The Amazing Spider-Man, where he played the antagonist.
Titled 'Bollywood Hero, American Everyman', the NYT piece went on to ask, "Could Mr Khan become the first Indian to capture the lead in a mainstream American movie?" It began with Irrfan himself declaiming, "Hollywood isn't ready for an Indian leading man." And Ang Lee later agreeing, while arguing, "But maybe he can do it for us [Asians]. He's definitely rare and very special." Irrfan was dubbing for Lee's Life of Pi (2012) at the time.
The fact is, up until Irrfan had spent over a decade and half in Bombay, after graduating from National School of Drama (NSD), doing grunt-work on television, with shows after shows — some of them hugely popular, like Chandrakanta, Star Bestsellers, Banegi Apni Baat (that he also directed episodes of) — starting from late '80s, all through the '90s, let alone Hollywood, even Indian cinema wasn't ready for him as an Indian leading man!
That real deal happened only with the British filmmaker Asif Kapadia casting Irrfan in and as The Warrior (2001), in a slow, quiet, Himalayan Western, if you may, with his haunting eyes adding to the striking visuals. Thereon, young Kapadia scripted an Oscar-winning career as one of the world's top documentary whizzes (Senna, Amy, Diego Maradona).
Irrfan finally captured desi imagination with his inimitably insouciant, proper desi-cool turn as the rustic college goon in Tigmanshu Dhulia's Haasil (2003). A lot of local filmmakers, he said, could place him as the new villain in town. He refused a few such roles, only to mesmerise audiences even more as the obsessed lover in Vishal Bhardwaj's magical Maqbool (2004) — unreservedly a masterpiece that Bhardwaj found hard to match, forget with Irrfan (though Haider and 7 Khoon Maaf with the actor were decent attempts).
Thus, a star was proverbially born. Although he'd been around in Bombay all along. This is no time for rona-dhona on ways the film industry functions, while it was always a pleasure to chat about all of this on occasion with Irrfan. He never held back on what he felt or thought, about people and pictures.
Will never forget this one time he told me on a TV interview how embarrassed he felt watching Anil Kapoor jump around him and others at the Academy Awards stage for his role in Slumdog Millionaire (2008), while he hadn't even heard of Danny Boyle before signing up for the film! Or in another interview where he complained about why Shah Rukh Khan had to play out two schizophrenically different films (one with himself all over it) in Billu (2009), with no one ending up liking either, as a result.
That's how Irrfan was, even in public — candid, but meaning no malice, of course. Despite much that he'd been through. To be fair, just casually scan the timeline for when he moved to Bombay. This was the fallow phase when 'parallel cinema' that had inspired him to become a film actor in the first place, had altogether been phased out.
Many of the filmmakers had moved to television.
Irrfan got to do the historical docu-drama Bharat Ek Khoj (1988) with Shyam Benegal. He found a chance to work with Govind Nihalani in Drishti (1990) or Basu Chatterjee in Kamla Ki Maut (1989), in the evening of their careers.
The mainstream space almost wholly consisted of action stars, and thereafter, what he called "chocolate boys". Irrfan was neither. The key issue with him as a young aspirant, he said, was to imagine who he could be like. Until Naseeruddin Shah, from the generation before him, he confessed, metaphorically showed him the way — first from Jaipur where he grew up, to NSD, in Delhi.
An abiding memory of Naseer on screen, Irrfan recalled in a TV interview, was from Umrao Jaan (1981), where he's flirting with Rekha's character, who is visibly annoyed and asks what he's up to. He casually mentions, "Waqt hai toh kuch toh karein, saath (Since there's time let's do something together)."
The first time I saw Irrfan on the big screen was in an NFDC production, Fareeda Mehta's Kali Salwaar (2002), where he plays writer Saadat Hasan Manto, staring at the heroine in the balcony, from across the street. What are you up to, he asks her. "Jhak maar rahi hoon," she says. "Chalo saath mein jhak maarte hain," he retorts indifferently. Few have seen that film. Don't remember much of it either — impossible for me to erase that casually killer moment from memory.
For all the years he was altogether bored of bulk-acting on TV in Bombay, what Irrfan found hardest to do was keep that inspiration alive — even while he found none of it in his work. He found most of it in watching films, right from the time he bought a video player with his first salary in the city.
No actor I know from his generation was as well-versed with world cinema as Irrfan. One of his dreams was to be in the same frame as the French hero Gerard Depardieu. Can't thank him enough for introducing me to the Turkish-German star-director Fatih Akin, much before Akin became a thing. Or filmmaker Michael Winterbottom, who Irrfan, of course, worked with in A Mighty Heart (2007). It is said Wes Anderson specifically pencilled in a part for him in The Darjeeling Limited (2007). He was always ready with a recco.
Irrfan in a still from Inferno
Perhaps exposure of this sort could also frustrate an actor, in contrast to the work that surrounds him. Irrfan spoke quite often about having decided to quit acting altogether in his early years, since television was all he was doing, and the sort of movies he wished for weren't going to materialise anyway. This is the phase, he said, he actively worked on his craft, since he had nothing to lose. And much less to hope for. To keep himself busy, he said, he toyed with ways to gently seduce the camera, besides attempting to "live in the moment".
This became perhaps what critics/reviewers over-used as "nuance" to explain many of his performances that highlighted most of all, minimal face-acting — least amount of gestures that also kept space for dramatic revelations, when you least expected them. He was the finest film practitioner of 'less is more' — hitting its highest note perhaps with Dhulia's Paan Singh Tomar (2011) that, despite a fair festival run, remained in the can for the longest, before finding theatrical release to top Bollywood awards that year.
More specifically, he could hold a moment. Also there was something infectious about his performances, if you notice, say Deepika Padukone matching her smiles and telling eye-contacts with his, in Shoojit Sircar's Piku (2015). Same between Konkona Sensharma and him in Anurag Basu's Life in a Metro (2007). Or most recently, actor Deepak Dobriyal playing off Irrfan's thoroughly restrained yet feisty/OTT comic timing in Angrezi Medium (2020), his last release.
That's what earned him most respect from peers and public alike. I was at a breakfast interview with Naseer in Lucknow (while he was shooting for Dedh Ishqiya) when Irrfan joined in (he was there filming Dhulia's Bullet Raja). Throughout Naseer, who's generally frugal with praise and an idol of sorts to Irrfan, called him "Khan Saab" — referring perhaps also to his aristocratic lineage, although he's had a fairly modest upbringing.
There was still something naturally royal about Irrfan's presence, both off but more so on screen. This was a handicap, at least according to one filmmaker critic of his I know. He was incapable of coming across as "low-status", even in roles that demanded so. This is where Nawazuddin Siddiqui held an advantage, apparently. There was minor tattle going on about a rivalry of sorts between Nawaz, 45, and Irrfan, 53. Much of it had to do with the phenomenal success of Ritesh Batra's The Lunchbox (2013), arguably the greatest Indian success abroad, that both starred in.
The fact is Nawaz could never do what Irrfan could, and vice versa. As is true for all unique talents. That royal demeanour no doubt would've helped Irrfan bag the role of Mesrani (probably named after Ambani), the Indian-origin richest man, who's the main villain in the gigantic Jurassic Park franchise film, Jurassic World (2015).
His last major outing in Hollywood was with Tom Hanks in Inferno (2016). Just look at that line-up abroad, even while he'd confound producers back home picking up a hardcore art-house film like Qissa (2013), although scoring huge in the box-office with the comedy, Hindi Medium (2017).
The common adage '50 is the new 40' (in line with people in other decades) couldn't have been more aptly applied than with Irrfan. He was at the cusp of something bigger, having kick-started his career with definitive, defining roles, only in his mid 30s!
At 20, he told me, he had trained all the actors of Mira Nair's Oscar-nominated Salaam Bombay (1988), but failed to star as one of the boys in it, because he was too tall to fit into the frame with them. He lived and learnt most about life from those street kids.
The Irrfan I knew came across as a deeply sensitive man. The ongoing wave of Islamophobia bothered him no end. He also had a dislike for traditional stars and the ways of Bollywood that hinged on them — mildly upset by stuff like, how much he was paid by a friend for a role, and how much was offered to his co-star, for the same picture.
But he also had a playful, roving-eye, happy-high side, behind that gambheer/serious exterior. He was surrounded by friends and well-wishers, I noticed, when graciously invited by his wife Sutapa (they met at NSD), to participate in his episode of the biographical show, Jeena Isi Ka Naam Hai (2012).
Some of this part of his personality you find organically channelled into madcap entertainers like Dil Kabaddi (2008) or Karwaan (2017). Or you could just watch him happily descend into YouTube level sketch-comedy with an AIB video gone viral!
Before he left for NSD, Irrfan's father had passed away. His mother Saaeda Begum was worried that he was going to become a "naach-ganewallah". Whatever that means, he promised her, "Aapko sharminda nahin hone doonga (I won't let you down)." He didn't. Saeeda passed away three days before him.
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